Category Archives: Inspiration

Quarter to midnight

Being a writer can be a lonely occupation – Ahhh – but I’m lucky enough to make up the fourth woman of two established writing groups. Suzanne Goldring, one of the authors, has a cottage in Port Isaac – you know, Doc Martin’s country – and invited our group down for our pre-Easter get-together. Oh, joy!

Though it’s not what everyone would consider a holiday. We’re very disciplined and when we meet we always put in plenty of solid work, but make sure we have regular walks along the coast, and wonderful meals both at ‘home’ and in the superb village restaurants. This is combined with much laughter and a slap on the wrists if we are slacking workwise.

We began making plans. Gail Aldwin and Carol McGrath, the other two authors, decided to drive down from their homes, but I chose the Riviera Night Sleeper from London to Penzance. I didn’t want to lose a minute of the first day by travelling.

I arrived at Paddington Station around 10.15pm and made for the first-class lounge. No sooner did I have a mug of tea in my hand, and a complimentary bag of roasted peanuts and biscuits (included in the ticket price) than the porter announced that the train outside the window was ours and ready to board. I knew it didn’t leave until much later, so I finished my tea, polished off a packet of biscuits and all the nuts (not having had any supper – too excited), and grabbed my suitcase and bag. It was time to find my coach.

I adore trains, especially those going on a long journey. And one leaving at a quarter to midnight . . .  Well, that just tops it.

You don’t want to take a suitcase larger than an in-flight bag as the corridor is only one person wide. But the staff were friendly and helpful. A gorgeous-looking woman wheeled my case to the correct cabin, then showed me all the intricacies of how it worked. The worktop hid a good-sized sink with plenty of boiling hot and cold water, a breakfast tray could be pulled down from the back wall of the bed, there was a shallow wardrobe and an abundance of light switches, including an overhead reading lamp, often not even found in a hotel. The bed with its crisp white cover and pillows looked so inviting, I was tempted to slip under the duvet there and then.

But it was only quarter to eleven. The space was too cramped to unpack, and we still had an hour to go. I decided to wander down to the bar. My stomach was protesting but all they had in the savoury section were packets of crisps. Luckily, I had my emergency oatcakes with me. I settled in a comfortable chair at one of the tables and the smiling girl behind the counter brought me a quarter bottle of Prosecco (not included in ticket price!) and a small glass with ice. Although I had my book with me, I got chatting to a very nice woman across the way. Dead on quarter to midnight the train began to move.

I love that moment. It’s spine tingling. You feel you could be taken anywhere. All you have to do is sit back and relax – or in my case, find your cabin again, get into pj’s, make-up removed, teeth cleaned, and hop into the narrowest bed ever, but with an excellent mattress. Lie back and allow yourself to be trundled through the night.

Well, that’s the idea. But a poor sleeper like me doesn’t stand a chance, even with the gentle rocking which should have lulled me off. The train was quiet of human voices and the engine was the merest gentle background hum, but my brain was over-active. I did drift a few times but was relieved when 5.30 rolled round and I could open the blackout blind to watch the delicate pinks and oranges of a stunning sunrise.

By the time I was washed and dressed there was a knock on my door.

‘Breakfast, madam,’ the young man said, thrusting a paper carrier bag in my hands.

Inside the bag I found tea in a styrofoam cup (with lid!), a glass of orange juice and some airline-style bits and pieces I didn’t really fancy. Next time I shall go for the porridge.

It was a scramble to alight at Bodmin Parkway. The same young man came to grab my small case and gestured me to hurry down the long corridor. He set the case on the platform, warned me not to fall down the gap, jumped back in, slamming the door shut, then shouted goodbye. The stop was no more than a minute.

But I was here! There was Dave, my driver, waving from the entrance of the station and soon I was settled in the back of his cab, on my way to Port Isaac. I kept my eyes peeled as the film crew were scheduled to be here at any time. We arrived to find the sea showing only a hint of frilly white edges, and there wasn’t a cloud in the sky. The picture postcard village was slumbering in the early morning sunshine.

‘It wasn’t like this last week,’ Dave said with a grimace. ‘You couldn’t move in the centre for filming.’

Seems I’ve timed it just right.

Now the real work begins.

Where do those ideas come from?

1931 advertisement (Public domain)

Readers are always asking where I get my ideas. Well, I have to confess that the setting for the first trilogy would never have been my immediate thought.

This was a request by Avon HarperCollins who’d just offered me a 3-book deal! In fact, they gave me four words to write these three books: Dr Barnardo’s, Liverpool, orphans, and WW2.

After the initial euphoria I had a complete wobbly. The only recognisable request was the period. That was fine. But I knew little about Dr Barnardo, only that he was more than just an observer of society in the 19th century, and especially of children, but set up a home to take in homeless boys and give them a chance in life. Well, I guessed I could do some more research on him. But three books set in a Dr Barnado’s home – filled with children?

I don’t have any children and am rarely around them. How would I know how children felt, spoke, learnt, misbehaved, interacted – and orphans would have many more problems to deal with. Lastly, I’d never been to Liverpool, and to be honest it didn’t really appeal. I was beginning to think my dearest wish of being published by my dream publisher was doomed before it had even taken off! Anyway, they left me to think about whether I would accept the offer to write The Dr Barnardo’s Trilogy.

Fortunately, my small group of writing friends brought me to my senses and made me ring the editor immediately saying I’d be delighted. I now had to find out everything I could through books and a visit to Liverpool. To my amazement I found Liverpool a fantastic city with some of the friendliest people I’d ever come across. But since the city was the most heavily bombed after London during the war, much was destroyed. However, enough buildings remained for me to take notes of the places where my heroine grew up, and the museums were invaluable to capture the period.

Liverpool 1946 Public domain (https://www.britainfromabove.org.uk/en/image/EAW001918)

Back home, I watched old films to see the way children behaved and spoke, but mostly I wrote almost instinctively, imagining I was that child.

The next trilogy was entirely my own idea. I wanted to write about three sisters doing completely different jobs in the war effort. I knew them quite well as characters but had no idea what they would set out to do. Then I watched a TV programme about Mary Ellis, at 101 years of age describing her time as a pilot in the Air Transport Auxiliary, delivering aeroplanes, including Spitfires, to the fighter pilots. Perfect for independent Raine, the eldest sister!

The middle sister, Suzanne, was musical, so I knew she would join ENSA – that’s the Entertainment National Service Association – and like my heroine, Vera Lynn, would sing to the troops abroad.

The idea for the youngest sister, Ronnie, a tomboy, came late in the day. I wanted something unusual and came across an article about young girls and women carrying cargo from London to Birmingham on the Grand Union Canal in the Second World War. Apparently, the work was so backbreaking, only about 40 of them ever did this work. It would be just up Ronnie’s street.

To complete the family would be a prickly French mother who the girls called ‘Maman’.

Now I’m writing a new series. A tingle shot right through me as my editor said the words ‘Bletchley Park’. I jumped at it. I’d been to Bletchley Park three times over the last 20 years, so it wasn’t unfamiliar territory. However, I knew it would be difficult for me to get to grips with all the code-breaking, but the many books I bought and borrowed played a huge part in my research.

In between the current pandemic restrictions, I managed a day trip with a historical tutor, and this propelled my new heroine to life in that most secret of buildings. More next month about The Bletchley Park Girls!

On that note, I do hope the New Year has all good things – including plenty of fabulous books – in store for you